How to retouch beauty photography (smooth and soft skin).??
How to retouch beauty photography (smooth and soft skin).??
Ultimate guide of beauty..
All about beauty retouching and how to use adjustment
layers, lighting, dodging and burning, and frequency separation to create
stunning skin tones...
In this tutorial, we’ll learn how to smooth and soften
skin in Photoshop without blurring out important image details, like the
person’s eyes and mouth, and while keeping as much good skin texture as we can...
The method we’ll be learning is actually a variation on a
similar method used for advanced image sharpening, which serves as a great
example of why it’s much more important to understand how things work in
Photoshop, and why you’re doing what you’re doing, rather than simply
memorizing a bunch of steps...
Of course, before we soften the skin, we should first
remove any unwanted blemishes, so this tutorial will really be in two parts.
We'll start off by learning how to quickly remove pimples and other small
problem areas using Photoshop's Spot Healing Brush. Then, once we're done with
our initial touch-up, we'll move on to the second part and learn step-by-step
how to use Photoshop to create beautiful, smooth, soft-looking skin...
This tutorial is for Photoshop CS6 (the version I'm
using) and is also fully compatible with Photoshop CC. It will also work with
Photoshop CS5, but CS4 and earlier users will want to check out the original
version of this tutorial...
Step 1: Duplicate The Background Layer
With my image newly opened in Photoshop, if we look in my
Layers panel, we see the image sitting on the Background layer which is
currently the only layer in the document.. As I mentioned, we'll
start things off by removing any unwanted blemishes in the skin. We'll do the work on a separate layer, which means we'll need to make a copy of the Background layer. To do that, press and hold the Alt (Win) / Option (Mac) key on your keyboard as you click on the Background layer and drag it down onto the New Layer icon at the bottom of the Layers panel (second icon from the right)...
start things off by removing any unwanted blemishes in the skin. We'll do the work on a separate layer, which means we'll need to make a copy of the Background layer. To do that, press and hold the Alt (Win) / Option (Mac) key on your keyboard as you click on the Background layer and drag it down onto the New Layer icon at the bottom of the Layers panel (second icon from the right)...
Holding down the Alt (Win) / Option (Mac) key tells
Photoshop to pop open the Duplicate Layer dialog box, allowing us to name the
duplicate layer before it's added. Since we'll be using the Spot Healing Brush
to remove any blemishes, let's name the layer "Spot Healing". Click
OK when you're done to close out of the dialog box..
If we look again in the Layers panel, we see the Spot
Healing layer now sitting above the Background layer. The Spot Healing layer is
highlighted in blue which tells us that it is now the active layer. Anything we
do next will be done to this layer, while the original image remains safe and
unharmed on the Background layer..
Step 2: Select The Spot Healing Brush Tool
Next, choose the Spot Healing Brush Tool from the Tools
panel:
Step 3: Set The Spot Healing Brush To
"Content-Aware"
With the Spot Healing Brush selected, make sure the Type
option in the Options Bar along the top of the screen is set to Content-Aware.
This is a relatively new feature for the Spot Healing Brush (first added in
CS5) that allows Photoshop to make better decisions about the replacement
texture it chooses for the problem area you've clicked on..
Step 4: Click On The Problem Spots To Heal Them
To remove any unwanted skin blemishes, all we need to do
is click on them with the Spot Healing Brush. Photoshop will instantly replace
the problem texture with good texture from the surrounding area...
For example, if we look at the young woman's forehead, we
see a relatively large blemish just to the right of center. To remove it, I'll
position the Spot Healing Brush over top of it. For best results, you'll want
your brush to be slightly larger than the area you're trying to replace, and
you can change the size of the brush directly from the keyboard. Press the
right bracket key ( ] ) repeatedly to make the brush larger or the left bracket
key ( [ ) to make it smaller. You'll find the bracket keys directly to the
right of the letter P on most standard keyboards.
Here we see my brush cursor (the black circular outline)
positioned over the blemish I want to remove.
I'll click on it with the Spot Healing Brush, and like
magic, it's gone! Photoshop analyzed the area, found some good texture from the
area surrounding it, and then blended the good texture in with the problem
area's original tone and color to produce seamless results:
I'll do the same thing with another blemish on her
forehead, keeping my brush just a bit larger than the problem area:
Once again, I'll click on the blemish with the Spot
Healing Brush and Photoshop instantly removes it. If you find that Photoshop
did not do as good of a job as you were hoping, press Ctrl+Z (Win) / Command+Z
(Mac) on your keyboard to undo it. Resize your brush so it's a bit larger or
smaller than last time, then click to try again:
I'll click on the remaining blemishes on her forehead to
remove them, and here's the result. Things are already looking much better..
I'll continue working my way around her face to remove
any other problem spots, including a few small pimples on her chin. Keep in
mind as you're working that while it's okay to remove temporary problems like
acne or other minor skin issues, it's usually not okay to remove permanent
features like moles or even certain scars, as these things are part of what
makes someone who they are. After all, the goal of image retouching should be
to help people look their best, not make them look like somebody else...
Here's a side-by-side comparison of what she looked like
originally (left) and after some quick retouching with the Spot Healing Brush
(right). With most photos, the whole process should take no more than a couple
of minutes. I covered the Spot Healing Brush fairly quick here, but to learn
more about it, check out our Removing Acne, Skin Blemishes With The Spot
Healing Brush tutorial where I cover it in much more detai..
Step 5: Duplicate The Spot Healing Layer
Now that we've removed any blemishes, we're ready to
smooth and soften the skin. Just like we did with the Spot Healing Brush, we'll
do the work on its own separate layer. Press and hold the Alt (Win) / Option
(Mac) key on your keyboard as you click on the Spot Healing layer and drag it
down onto the New Layer icon at the bottom of the Layers panel..
Step 6: Apply The High Pass Filter
To soften the skin, we'll use Photoshop's High Pass
filter. Go up to the Filter menu in the Menu Bar along the top of the screen,
choose Other down near the bottom of the list, and then choose High Pass..
If you're familiar with the High Pass filter, it's most
likely because you've used it before as an advanced way of sharpening images.
In this case, we're softening the skin, not sharpening it, but many of the
steps are the same. The High Pass filter works by looking for edges in the
image (areas where there's a big, sudden change in brightness or color between
neighboring pixels). In the case of a portrait photo, the edges would be along
the hair, around the eyes, the mouth, and so on. Skin, on the other hand, has
relatively low amounts of detail with much smoother transitions, so it would be
largely ignored...
If we were sharpening the image, the High Pass filter
would allow us to sharpen the edges without affecting the skin. What we're
going to use it for, though, is the exact opposite. We're going to let the High
Pass filter detect the edges not so we can sharpen them, but so we can soften
everything except the edges...
The Radius value at the bottom of the High Pass filter's
dialog box controls the "thickness" of the edges. In other words,
once Photoshop has detected an edge, the Radius value tells it how many
additional pixels on either side of it to include as part of the edge. Low
Radius values will detect only the finest details, but to make sure we don't
end up softening these areas, we want more of the edge to be included. For a
typical portrait shot, a Radius value of 24 pixels works well, so that's what
I'll use..
If your subject is further back in the photo, or you're
working on a fairly low resolution image, a smaller Radius value might work
better. In that case, you might want to try 18 pixels or even 12 pixels
depending on the size of the image. The reason I'm mentioning these values
specifically is because it's important for the next step that you choose a
value that's easily divisible by 3. For example, 24 divided by 3 is 8, 18
divided by 3 is 6, and 12 divided by 3 is 4. Nice, easy numbers. Again, we'll
see why in the next step...
Click OK to close out of the High Pass filter's dialog
box. Your image will turn mostly gray, with the gray being the areas with
little to no detail detected. The edges are shown with higher contrast...
Step 7: Apply The Gaussian Blur Filter
Next, we'll add some blurring to our High Pass filter
effect using Photoshop's Gaussian Blur filter. It may seem counterintuitive,
but the blurring will actually help to bring out more good texture in the skin.
Go up to the Filter menu at the top of the screen, choose
Blur, and then choose Gaussian Blur..
Just like with the High Pass filter, we control the blur
amount using the Radius value along the bottom of the Gaussian Blur dialog box.
Enter an amount that's exactly one third of the value you entered for the High
Pass filter. In my case, I went with a radius of 24 pixels for High Pass, so
for the Gaussian Blur filter, I'll enter one third of that which is 8 pixels..
Step 8: Change The Layer Blend Mode To Linear Light
To blend the High Pass filter effect in with the image,
change the blend mode for the Soften Skin layer from Normal (the default mode)
to Linear Light. You'll find the Blend Mode option in the upper left corner of
the Layers panel..
This creates a very high contrast, over-sharpened effect.
Don't worry if you think this looks terrible; it will look even worse in a
moment..
Step 9: Invert The Layer
If our goal was to over-sharpen the heck out the image,
we'd be done. But of course, we're trying to smooth and soften the skin. To use
our High Pass effect not for sharpening but for softening, we need to invert
the Soften Skin layer. To do that, go up to the Image menu at the top of the
screen, choose Adjustments, and then choose Invert. Or, just press Ctrl+I (Win)
/ Command+I (Mac) on your keyboard...
With the layer inverted, the image goes from being
over-sharpened to looking like a weird, blurry mess with big ugly halos around
everything..
Step 10: Open The Blending Options
To reduce the halo effect, click on the small menu icon
in the upper right corner of the Layers panel..
This opens the Layer Style dialog box set to the Blending
Options in the middle column. If you look down at the bottom, you'll see two
sets of sliders; one labeled "This Layer" and another below it
labeled "Underlying Layer". These are Photoshop's Blend If sliders
and they allow us to control how our currently-selected layer (the Soften Skin
layer) blends with the layer below it. To reduce the intensity of the halos, we
need the first set of sliders (the one on top labeled "This Layer").
You can ignore the other one..
You'll find the actual sliders below either end of the
horizontal gradient bar. There's one for controlling the darker areas of the
image on the left and one for the lighter areas on the right..
It looks like the sliders are solid, but we can actually
split them in half and then spread the two halves of each slider apart. If we
were to simply click on one of the sliders and drag it around, we'd create very
harsh and noticeable transitions between the layers. But by splitting the
sliders apart, the space between the two halves creates a much smoother and
more subtle blend...
We'll start by reducing the lighter halos. To do that,
press and hold the Alt (Win) / Option (Mac) key on your keyboard as you click
on the slider on the right and begin dragging it towards the left. The Alt
(Win) / Option (Mac) key tells Photoshop to split the slider in half so that as
you're dragging, only the left side of the slider actually moves while the
right side stays in place...
Keep an eye on the image as you're dragging the slider
and you'll see the lighter halos fading away. You'll need to drag almost all
the way to the left to reduce them as much as possible..
Here's the result after dragging the first slider. Most
of the lighter halos are now gone, or at least, much less noticeable. Only the
darker ones remain: To reduce the darker halos, press and hold your Alt (Win) /
Option (Mac) key as you click on the slider on the left and drag the right half
of it towards the right. Again, you'll need to drag almost all the way to the
right for most of the dark halos to disappear..
Step 11: Add A Layer Mask
At this point, we've softened the skin, but we've also
softened the eyes, mouth, hair, and everything else in the image. We need a way
to hide the effect everywhere except the skin, and we can do that using a layer
mask. Press and hold the Alt (Win) / Option (Mac) key on your keyboard and
click the Add Layer Mask icon at the bottom of the Layers panel..
This adds a layer mask to the Soften Skin layer.
Normally, Photoshop fills a layer mask with white, which allows the entire
layer to remain visible until we paint over certain areas with black to hide
them. But by pressing and holding Alt (Win) / Option (Mac) as we clicked the
Add Layer Mask icon, we told Photoshop to fill the mask with black, as we can
see by looking at the layer mask thumbnail. This temporarily hides the entire
softening effect from view..
Step 12: Select The Brush Tool
We're going to paint back the softening effect, but only
over the skin. To do that, select Photoshop's Brush Tool from the Tools panel
..
Step 13: Set Your Foreground Color To White
We'll need to paint on the mask with white. Photoshop
uses the current Foreground color as the color of the brush, so make sure your
Foreground color is set to white. You can see your current Foreground and
Background colors in the color swatches near the bottom of the Tools panel. The
swatch in the upper left is the Foreground color. If it's not showing white,
press the letter D on your keyboard to quickly reset the colors to their
defaults..
Step 14: Paint Over The Skin
With the Brush Tool in hand and white as your Foreground
color, simply paint over the skin to reveal the softening effect. A soft-edge
brush will work best. We already know that we can adjust the size of the brush
using the left and right bracket keys, but if you press and hold your Shift key
while pressing the left bracket key, you'll make the brush softer. Holding
Shift while pressing the right bracket key will make the brush harder..
Before you begin painting, it's also a good idea to look
up in the Options Bar and check to make sure that the Mode option (short for
Blend Mode) for the Brush Tool is set to Normal, Opacity is set to 100% and
Flow is also set to 100%. If you made changes to any of these settings in the
past and forgot to set them back, you could end up with unexpected results..
I'll start by painting over her forehead. Since we're
painting on the layer mask, not on the layer itself, we don't see our brush
strokes. Instead, we reveal the softening effect in the areas where we've
painted..
I'll do the same thing over her nose, her cheeks, and around
her eyes, adjusting my brush size as needed so I don't accidentally paint over
her eyes or any other areas that should remain sharp. If you do slip and paint
over the wrong area, simply press the letter X on your keyboard to swap your
Foreground and Background colors. This will set your Foreground color to black.
Paint with black over the area to hide it,en press X once again to set your
Foreground color back to white and continue painting..
Viewing The Layer Mask
If you want to see exactly where you've painted, you can
view the layer mask itself in the document by pressing and holding your Alt
(Win) / Option (Mac) key and clicking on the mask thumbnail in the Layers
panel..
Your image will temporarily be replaced by the mask. The
white areas are where you've painted. It looks a little creepy, but this can be
a handy way of checking to make sure you haven't missed any spots. You can even
paint directly on the mask if you need to. To switch back to your image, just
press and hold Alt (Win) / Option (Mac) and click again on the mask thumbnail
in the Layers panel..
Step 15: Lower The Layer Opacity.
Finally, the skin softening effect is usually too intense
at this point. To reduce it, simply lower the opacity of the Soften Skin layer.
You'll find the Opacity option directly across from the Blend Mode option at
the top of the Layers panel. In general, an opacity value of between 40% and
60% works best, but it will depend on your image. For my image, I'll set the
opacity to 50%..
And with that, we're done! Here, after lowering the
opacity, is my final skin softening result…..
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